Portmanteau-bama (and other things one thinks of in the tractor)
Hello-bama (Barack face on Hello Kitty)
Snow-bama (on snowman)
Slow-bama (on caution sign)
sew-bama (on sweater)
whooooaa-bama (on bucking bronco)
GOOOOOOOAAAL!-bama (on soccer player)
Mo' bama Mo'bama Mo'bama (on In Living Color sketch characters no one else remembers)
Crow-bama (on goth superhero's head)
toe-bama (on one little piggie)
bow-bama (on bowtie)
blow-bama (face on Monica Lewinsky's dress)
Gobama: because it rhymes!
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Ghostbusters 3:
Ghostbusters and Ghostbusters II are in no small part inspiration for the style I want Chronotrono's employees adventures in this dimension to be like. Maybe one step to the left of Ghostbusters and two steps to the right of Get Smart, but around in there.
As most of us have heard, they're making a third film - regardless of the rightness of this action - which accidentally started me to thinking... what if I were suddenly and in complete disregard for all possibility called on to write it?
First off, let's be gald Harold "Egon" Ramis is our director. Seriously, "Groundhog Day" and a steady run of other quietly winning fantasy comedies.
Ray Stanz (Dan Akroyd) remains the lone ghostbuster keeping the firehouse alive. Behind his desk is the painting of the four originals with the baby from the end of Ghostbusters II, but it and other homages are kept in the background. The Ghostbusters have essentially put themselves out of their briefly international business - trailer can cut to Japanese and French Janines answering phones for the "Who ya gonna call" set up, but those days are long past. Also frustratingly, as the years pass more and more "retrograde amnesia" sets in for those who've had ghostly encounters, owing to the stress and psychic drain of paranormal encounters. More and more the Ghostbusters most famous are met with explanations like those of Holocaust deniers.
Winston drops in with a sack lunch for his embarassed son, who is training to be like his old man, then later demonstrates some fancy ghostbuster on the "proton pack shooting range" they've built in the country. (Lots of very cheap cardboard springing up and flying.)
Our story would mostly follow the hot young Hollywood actors from the Judd Apatow Actor's Petting Zoo I think he keeps behind his house. Or I assume I'd be pleasantly stuck with.
So Michael Cera as Michael Cera (as he's always cast) fulfills his lifelong dream and is hired as a Ghostbuster, a job that's considered somewhere between being an astronaut and a garbageman. The ensemble is filled out with Seth Rogen as Seth Rogen and James Franco as James Franco (aka the faded James Dean look-alike coasting on his charm). Also - Ellen Page as The Spunky Girl. Enjoy her scenes drawing elaborate harnesses for wearing the 50-lb proton pack and finally nearly crushing herself putting one on. Seth is the kind of lazy one, who nevertheless knows his 'busting and has a nice "Back off, man, I'm a scientist" T-shirt. James Franco actually got involved in the business to boast his career as an actor, but it has only translated into a series of sci-fi B-movies. He continually visits the firehouse, despite technically being a back-up 'buster, as it becomes clear he has no other real friends, except a few crew members from his last film. Nevertheless, the requisite Michael Cera-Ellen Page screen romance I assume focus groups would force me to include moves itself along.
One brief scene with Siguorney Weaver. She's in a huge, rich man's bed. The phone rings, she picks it up half-asleep then hands it over to her husband who sits up... and is Bill Murray. His one, and only one line: "How did you get this number?" Perfect response for after the trailer asks "Who ya gonna call?"
One extra possible scene: After the day is saved, Dr Venkman shows up for his business's parade. Young girls scream with signs that say "We love you Venkman!" He turns to Michael Cera, astruck by one of his heroes "Never call me before nine. But you did alright, kid." "Dr Venkman, I..." "Yes, and we appreciate that you do." then he's signing some young girls autograph book.
Oh, and I guess for the plot - well, it's a strange case that gets called in. Apparently... some ghosts robbed a bank. Oh yes, it's a small upstate New York town where the mirthy police recommended this one to the professional Spook-stompers or whatever they're called. "Why would a ghost rob a bank?" "Funerals ARE getting expensive."
Well, it turns out that ghosts are being controlled by a necro-mancer, a flamboyantly poor dresser who was summarily fired from the Ghostbusters over ten years ago for his controversial attempts at experimenting on ghosts. He needed the money to complete his ghost-summoning device, which will draw ghosts from all over the world to him - and then lead an assault right on the firehouse to complete his revenge. He's honestly not sure what he'll do after that. "Rule over all the living with the dead?" Unfortunately, it proves harder to control the ghosts with his magick-enabled technologies and the ghostbusters essentially have to built a giant trap in Central Park to catch them all.
Somewhere in there, Ray receives terrible news "Egon Spiengler is dead... Egon's dead!" Egon had gone on to do important psychical research in Prague. Ray then whoops excitedly, alerting everyone as he runs to a machine in the basement. "Egon... Egon Spiengler is dead?" Michael Cera stammers. "Why is Ray so happy?" "He's in the will?" Egon and Ray have made a plan so that if one them dies, the other would contact him on the other side with a machine they'd invited, essentialy a ghost Instant Messager. The experiment seems to fail, and Ray is heart-broken, finlly realizing he'll never speak to his friend again. They all go to the funeral ("Egon got fat!" "Shh!")... but at the firehouse slowly realize Egon's ghost has worked his way into the entire computer, posessing it. The new system, E.G.O.N. ("We'll decided what it's an acronym for later!" is the new general super-ghostbusting fact-finding system (like the Bat-computer) delivered in Harold Ramis's famous deadpan. Yay, easy science!
Less successfully, Ray tried to develop a ghostbusting robot - like a police bomb-sniffer - called B.U.S.T.E.R. also to be a kid-friendly public relations character. ("Ever since that unfortunate incident with Slimer and the kid holding the ice cream cone." Cut to case photo file of Slimer attempting to swallow an ice cream cone along with the hand of the small precocious child holding it.) BUSTER constantly broke down and earned the spite of the entire team as Ray still required them to take it and attempt to use it whenever possible. During the ghost attack, all the negative psychic energy surrounding the robot leads it to come alive and blast at the team with its own proton streams.
Then more stuff happens and the good guys win.
I shan't think of it anymore knowing the writers of the US "The Office" are working on it. But I am always available for Ghostbusters 4.
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rhymes for our times
My rush to tell the tale an aching dud
Leaving me ahold the bag: broken cookies and mud
Amongst so much confusion where to start?
(Please find attached a rough draft of my heart.)
At all points I had so many nice things to say
but me not near ready - how ensure she'll stay away?
It's not impossible my feelings could find return
But there's too much to be done for the life which I yearn
If I'd only abandon what was never much of a plan
That made it all that much harder to understand


